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    <title><![CDATA[Sound Cultures in Indian Cinema]]></title>
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    <pubDate>Sat, 25 Apr 2026 15:58:03 +0000</pubDate>
    <managingEditor>ritwickpal@gmail.com (Sound Cultures in Indian Cinema)</managingEditor>
    <copyright>&Acirc;&copy; &amp; &Acirc;&reg; by Media lab, Jadavpur University, 2011</copyright>
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      <title><![CDATA[Hollywood Looks at India]]></title>
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                                    <div class="element-text">Hollywood Looks at India</div>
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                                    <div class="element-text">sound recording and reproduction, talkies</div>
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                                    <div class="element-text">Wilford Deming Jr.&acirc;&euro;&trade;s &acirc;&euro;&tilde;Hollywood Looks at India&acirc;&euro;&trade; debuts as a feature in Varieties Weekly. The article focuses on the experiences in Indian cinema industry that Deming Jr. has had as an expert on sound recording, which prompted him to concede that in the technical sense, the Indian studios considerably pre-date the American studios. Deming Jr. surveys the conditions in an average Indian studio laboratory. He states that lackadaisical laboratory processing renders the sound and picture quality inconsistent through the length of the film, an instance which even the American studios are not able to prevent. </div>
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                                    <div class="element-text">Wilford Deming Jr.</div>
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                                    <div class="element-text">Varieties Weekly</div>
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                                    <div class="element-text">Varieties Weekly, Vol.1, No.4, August 22, 1931, pp.6-8</div>
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                                    <div class="element-text">1931-08-22</div>
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                                    <div class="element-text">The Media Lab</div>
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                                    <div class="element-text">Eng</div>
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      <pubDate>Thu, 23 Jun 2011 17:07:12 +0000</pubDate>
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