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    <title><![CDATA[Sound Cultures in Indian Cinema]]></title>
    <link>https://sounds.medialabju.org/items/browse?output=rss2&amp;tags=Tanar+single+system</link>
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    <pubDate>Sat, 25 Apr 2026 16:06:42 +0000</pubDate>
    <managingEditor>ritwickpal@gmail.com (Sound Cultures in Indian Cinema)</managingEditor>
    <copyright>&Acirc;&copy; &amp; &Acirc;&reg; by Media lab, Jadavpur University, 2011</copyright>
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      <title><![CDATA[The Making of Alam Ara]]></title>
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                                    <div class="element-text">The Making of Alam Ara</div>
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                                    <div class="element-text">Talkies </div>
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                                    <div class="element-text">B.D Garga writes about the making of Imperial Film Co.&acirc;&euro;&trade;s &acirc;&euro;&tilde;Alam Ara&acirc;&euro;&trade;, the first talkie produced in India and his conversations with Ardeshir Irani, the director. Irani mentions his inspiration as Universal&acirc;&euro;&trade;s &acirc;&euro;&tilde;Show Boat&acirc;&euro;&trade; a 40% talkie. Irani and Rustom Bharucha picked up rudiments of sound recording from Wilford Deming Jr. who assembled the Tanar single system recording equipment at the Imperial studio. Irani mentions the lack of soundproof stages and the restrictions posed by the proximity of the studio to the railway tracks, to circumvent which they shot around the night time. The article as it appears in Cinema Vision India has an advertisement of Tanar single system recording device.<br />
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                                    <div class="element-text">B.D Garga</div>
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                                    <div class="element-text">Cinema Vision India, Vol.1, No.2, April 1980, pp.11-12</div>
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                                    <div class="element-text">1980-04</div>
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                                    <div class="element-text">The Media Lab</div>
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                                    <div class="element-text">Eng</div>
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      <pubDate>Thu, 23 Jun 2011 12:02:47 +0000</pubDate>
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